Listening to the sea
"Listening to the Sea" is a song composed by Lin Qiuli, composed by Tu Huiyuan, and sung by Zhang Huimei. It is included in Zhang Huimei's solo album "Bad Boy" released on June 11, 1997.
Write to me today
What colour is the sea
The sea that accompanies you every night
How are you feeling
Gray doesn't want to say
Blue is melancholy
And the wandering you
Crazy Heart
Where to stop
Write me tonight
What do you want to dream
Am I in and out of my dream
You have no choice
I grab a heart
I can't close my eyes all night
Why are you obviously moved
But not close
hear
The sound of the sea crying
Lamenting who was hurt again
But still not sober
It must not be me
At least I'm calm
But tears
I don't even believe the tears
hear
The sound of the sea crying
This sea is too affectionate
Weep till dawn
Write me a letter
Be the last promise
Said when you left me
What's your mood
Write me tonight
What do you want to dream
Am I in and out of my dream
You have no choice
I grab a heart
I can't close my eyes all night
Why are you obviously moved
But not close
hear
The sound of the sea crying
Lamenting who was hurt again
But still not sober
It must not be me
At least I'm calm
But tears
I don't even believe the tears
hear
The sound of the sea crying
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This sea is too affectionate
Weep till dawn
Write me a letter
Be the last promise
Said when you left me
What's your mood
The beginning of the song is about the longing for the distant lover and the uncertainty about love, full of worry and nowhere to vent. At this moment, the sound of the waves burst, and the embankment suddenly bursts, and it is completely fallen. It is almost impossible to distinguish whether it is crying from the sea or crying by yourself. The already tangled heart became more tangled and out of control. This seems to tell the audience that the only thing that can relieve the pain is the kind of incisive catharsis brought about by the greater pain, which is also the so-called "put it to death and live thereafter". Zhang Huimei's interpretation of the song was heart-stirring, from the whispers of dissatisfaction at the beginning to the happy catharsis at the climax, and then to the interrupted questioning at the end, all in one go. The song also uses a blend of scenes and scenes, while using the anthropomorphic "sea" to blame itself, while repeatedly defending itself. In fact, it clearly writes about a person's inner battle. In just one song, there are dissatisfaction, worry, expectation, entanglement, and questioning. The richness of the volume and the delicate brushwork can be called the best work.